Oral Answers to Questions Debate
Full Debate: Read Full DebateChris Bryant
Main Page: Chris Bryant (Labour - Rhondda and Ogmore)Department Debates - View all Chris Bryant's debates with the Department for Science, Innovation & Technology
(1 day, 22 hours ago)
Commons ChamberWe support and incentivise film production in the UK through our range of audiovisual tax reliefs, through support for business rates relief, and through funding directly to the industry.
In Broxbourne, we were meant to be seeing the £700 million Sunset Studios project, which is now sadly not going ahead, in part due to the national insurance increase, new employment regulations and this Government’s handling of the economy. Is that what the Government mean by supporting the film industry?
What utter nonsense! The hon. Gentleman may only just have arrived in this House in the last year—of course, today is the anniversary of the moment when the former Prime Minister called the election and it rained on his parade. I simply point out that the company suspended its plans in the hon. Gentleman’s constituency in 2023, when there was a Conservative Government.
We have fantastic film and TV sectors in Bedfordshire and Hertfordshire, and I am determined to make sure that more of our young people can access them. I recently had the pleasure of joining North Herts college to open its fantastic new Purwell Studios, meaning that young people in my constituency can access state-of-the-art training facilities in their area. How is the Minister working with the Department for Education to make sure that more young people can access the fantastic career opportunities that the film sector offers?
I am glad somebody is celebrating the film industry. My hon. Friend is absolutely right: we need to make sure that kids from every single constituency in this land can think of the possibility of working in the film industry. I am delighted that since we introduced our two new tax reliefs in last autumn’s Budget, we have already seen a large number of people making applications to the British Film Institute, and I am absolutely certain that that will mean that the British film and television sectors in the UK will be very lively for many years to come.
The programme of cultural co-operation, which the Secretary of State signed earlier this month, creates significant opportunities for the UK’s cultural sectors to reach a market of over 1.4 billion people in India. We expect this agreement to create skilled jobs and opportunities for young people from Southall to Kolkata over the next five years.
The Liberty cinema in my constituency of Ealing Southall, now the Himalaya Palace shopping centre, was the first cinema in the country to regularly show Bollywood films, and Southall has formed the backdrop of many a Bollywood movie since then, so I welcome this agreement to increase co-operation between the UK and Indian film industries for the benefit of both economies. What more can the Government and the Minister do to encourage cultural partnerships, so that the next generation of the British Indian diaspora in Southall can continue to enjoy their vibrant heritage?
There could not be a better constituency MP than my hon. Friend to highlight this subject, and to show this symbolic uniting of Indian and British culture. I think British bhangra originally came out of Ealing Southall, and so many Anglo-Indian writers have been quintessential in determining the future of the British language, and will be part of our literary future. I am absolutely delighted that we have this cultural agreement, and we are determined to work with our Indian colleagues on progressing all the ideas that my hon. Friend and others have come up with.
Whether it is Bollywood, Hollywood or Borehamwood, I am sure the Minister will agree that our British cultural and creative industries are our global economic superpower. While the Secretary of State is AWOL today, rumours abound that the whole Department for Culture, Media and Sport is for the chop. The Minister must see that this sends a terrible message to those sectors about how little their Government value the power of those industries. Will he take this opportunity to put that rumour to bed, and if he cannot, will he take this chance to put on record that it is a horrible idea?
If we were to get rid of the Department, one of the worst consequences would be our having to get rid of the Select Committee as well—and, for that matter, all those on the Opposition Front Bench. Oh hang on, maybe it is a good idea.
No, let us be serious. First, the Secretary of State is not absent without leave. She is doing the very important job of building our relationship with Japan. Secondly, I am not going to put this rumour to bed—I am going to bury it. I am absolutely certain that in a year’s time we will be able to sing, in the words of Stephen Sondheim from the musical “Follies”, “I’m still here”.
I was absolutely delighted that the Prime Minister’s EU-UK deal included a direct reference to the importance of touring artists and cultural exchange. I have already been in touch with my EU counterpart commissioner, and I intend to take the matter forward as soon as I can.
I am grateful to the Minister for that response, but it is over four years since I first raised this matter in an urgent question in the House of Commons. In that time, nearly half of UK musicians say that they have lost work in Europe and precious income as they confront all the Brexit barriers, visa issues and cabotage restrictions. The Labour manifesto vowed to resolve this, and we were all grateful for the warm words in the reset document, but real action is required. When can we see our wonderful UK artists back in the concert halls and arenas of Europe, travelling freely and without any restriction?
That is absolutely our aim and intention, and the hon. Gentleman knows that I am as committed to that as he is. Obviously, the UK-EU deal is very good, but we want to make sure that we pursue all the individual issues that were raised that have not yet been resolved, and this is one of them. As I said, I have already made contact with Commissioner Micallef, and I intend to chase this down as fast as I can. I know the hon. Gentleman does not like being happy, but if I might just quote “Hamlet” to him:
Our doubts are traitors,
And make us lose the good which oft we might win
By fearing to attempt.
I thank the Minister for his encouraging remarks about the progress of the UK-EU deal. Does he agree that the changes that we are making will support the vitality of London’s west end, and provide a strong foundation for tackling the issue of carnets in our future negotiations with the EU, so that we can continue this great work?
My hon. Friend is absolutely right. The west end of London is very important to not just our film industry, but our tourism. Cultural exchange with other countries in Europe is a really important part of the deal that we have struck, and we want to build on that. The more we can do so over the coming months, the better. Mr Speaker, I do not know if you talk to your counterparts anywhere else in Europe, but if you could raise the matter with them as well, that would be very helpful.
Marvellous. We’ll talk to Carolyn Harris now. No, I do apologise; I call the Liberal Democrat spokesperson.
Thank you, Mr Speaker. I am pleased to not be forgotten today. [Interruption.] If we are abolished, perhaps we will all be forgotten. There have been previous positive statements on touring performers, but there was no concrete good news in the UK-EU deal. Touring performers are reliant on this Department to fight their corner, as are the rest of the creative industries, not least on artificial intelligence and copyright, which we are talking about later today. The Minister says he is burying the rumour about the abolition of DCMS, so why do so many people here think it will happen, and why is it being briefed to the press so often?
The question I am asking myself is: why on earth is the hon. Gentleman perpetuating daft rumours? Honestly, the Department is not going to be abolished; it would be absolute madness. This Department touches the lives of nearly everybody in the country, every single day of the week, whether through sport—football, rugby, cricket, tennis—broadcasting, or our wonderful creative industries. So many different aspects of what we do touch everybody’s lives. I cannot see any way in which the Department will be abolished.
The hon. Gentleman’s question was about EU touring. If he talks to all the liberal-leaning Governments in Europe, I talk to all the socialist-leaning Governments in Europe, and the Tories speak to, well, their colleagues in Europe—for that matter, Reform could speak to some of the barmpots in Europe—then we might manage to secure EU touring.
Our primary support for the creative industries in Wales is through the tax reliefs available to video games, the audiovisual sector, theatre, museums and orchestras, and also through the screen industry’s research and development firm Clwstwr, which is based in the Cardiff region.
A musician, an animator and a horror writer are among the many constituents who have written to me recently to express their concerns about generative AI being trained on their work without compensation and without their consent. They need action now, not in 18 months when the damage will have been done and their work will have been scraped. What will the Minister do with the opportunity before us this afternoon in the Data (Use and Access) Bill to ensure that our fantastic creative industries have their copyright protected and can grow?
The UK is a creative content superpower and we should do nothing to undermine that. In my hon. Friend’s constituency, there is a famous gallery that produces blue plaques, which celebrate many of the creative industry heroes around the country—I launched the one for Cary Grant in Bristol not long ago. I am keen that we make sure that we protect those industries and enhance them for the future. She basically asked whether we could have a debate later today on the data Bill, and we are going to have one.
The creative industries in Wales are incredibly important, but it is also incredibly important to have creative industries everywhere in this United Kingdom. There is an opportunity for those in Northern Ireland, Scotland, Wales and England to have creative industry exchanges. Is that something that the Minister has considered, so that the benefits from Wales can come to Northern Ireland, Scotland and England and we can all gain?
Very creative indeed—all the way from Monmouth to Northern Ireland. All our creative industries function across the whole of the UK. Making those links between different parts of the UK is a really important part of ensuring that we prosper into the future. I visited Bad Wolf studios in Cardiff a couple of weeks ago to see the phenomenal filming work that is being done there. Obviously, Dr Who has been filmed there. I know that many of the people who have worked in Cardiff will also work in Northern Ireland, which has a very lively high-end television sector as well.
The most important thing we have done for Bedford is secure the Universal Studios theme park, which will be the biggest theme park in Europe and one of the biggest investments in the UK for many years.
Huge congratulations to the Department on securing the Universal Studios park—it is a major investment in Bedford. With the creative industries rightly a priority for growth, does the Minister agree that this success must also support grassroots venues such as Bedford’s iconic Esquires, which is now seeking community ownership through the Music Venue Trust’s “Own Our Venues” campaign? Will the Minister back efforts to protect the local institutions that nurture talented community identity?
My hon. Friend is absolutely right; it is great that the theme park is coming. The shadow Secretary of State says that it was all down to him, but he did not get it across the line. The whole point of a deal is that it is not a deal until you actually get it across the line, which we did. My hon. Friend is also right that we do not just need to develop massive theme parks; we also need small venues such as the one he refers to, where I think George Ezra has performed and where Coldplay have performed twice in the past. That is one reason I am really glad that we have now managed to get over the line a levy on arena tickets to help fund small music venues across the whole of the UK.
Since the last Question Time, we have closed the deal on a multibillion-pound investment in a new Universal Studios theme park, and the Secretary of State has signed a cultural co-operation agreement between the UK and India, which helped underpin the free trade agreement that we concluded this month. I have been working with colleagues in the Department of Health and Social Care to deliver a solution to the ongoing uncertainty facing the advertising and broadcasting sectors, as will be reported today in a written ministerial statement. The Under-Secretary of State for Culture, Media and Sport, my hon. Friend the Member for Barnsley South (Stephanie Peacock), the whole of the Department and the Secretary of State worked hard with thousands of others, including the Royal British Legion, to deliver an 80th anniversary of VE Day that we can all be proud of.
Mr Speaker, I should just say that today’s Order Paper, as you know, refers to Members of Parliament who gave their lives during the second world war, which is actually an idea I came up with many years ago. However, there is a little mistake in it today. It refers to Major John Cartland, but it was actually Major Ronnie Cartland who gave his life in the war. He was one of the bravest people, and he protected thousands of others by giving his life in the retreat to Dunkirk.
I am glad you had a good idea, and I am glad I could fulfil your idea.
Congratulations, Mr Speaker.
GrimFalfest is part of Grimsby’s brilliant award-winning Viking festival. It launched in 2022, attracting more than 20,000 visitors, and now talented local producer Julia Thompson is developing the concept and turning Grimsby into the destination of Havelok’s kingdom. What support can the Minister offer for heritage-led tourism projects, which create economic opportunities in places such as Great Grimsby and Cleethorpes?
I have looked at some of the material for Havelok’s weekend—I think he is getting a weekend. I did not know the story of Grim, the fisherman who saved the young Prince Havelok, but it is a great story. It is also good to see that there is a new artwork to modernise the old artwork outside the Grimsby Institute. My hon. Friend is right that we need to do more for our coastal communities.
The Minister will know that our creative sectors, including our artists, writers, publishers and the fashion industry to name a few, are all fighting for their professional lives as artificial intelligence companies use their intellectual property for AI models. Why will the Government not put an end to the AI copyright issue and back the amendments from the Lords, which have such overwhelming support?
For a start, we will have that debate this afternoon. I am determined that through this whole process we will get to a place where creators of every different kind, whether in music, word or images, will be able very easily to protect their copyright and gain remuneration. I also want to get to a place where AI companies will pay for the work that they look at and use to create their systems. I note that the Conservatives are all over the shop on this issue. They have a had a free vote, a vote on one side and a vote on the other side, and we will see whether even their Front Benchers vote this afternoon.
My hon. Friend makes a good point. One of the things that worries me about the creative industries in the UK is that often the only people who conceive of them as a possible career are those whose parents worked in them. I do not want the creative industries to be hereditary; I want everybody to have a chance, whatever their background. That is partly about making sure we champion the creative industries, which are our economic future. We must embrace them and ensure that everybody gets a decent chance in life.
That is a bit transporty for me. First, the best ice cream in Britain is produced in the Rhondda by Subzero, and I am happy to have a contest with the hon. Member any day of the week on that front if he wants. Secondly, I suggest gently to him that one of the reasons the beaches in the UK improved was that we joined the European Union. Before our membership of the European Union, all our beaches were filthy and covered in tar.
All I really want to say is yes, because I agree with everything my hon. Friend said. Since you like brevity, Mr Speaker, and brevity is the soul of wit, I am just going to say yes.
I get a lot of invites. [Interruption.] Yes, I honestly do get a lot of invites—and some of them I take up. I am a bit Ado Annie:
I’m just a girl who cain’t say no
I’m in a terrible fix
I always say “come on, let’s go”
Just when I orta say nix.
I think my hon. Friend asked what steps I am taking to promote dance. Well, it takes two to tango, and we are working with the Department for Education to try to ensure that creative education is a really important part of everything we do in all our schools. The fact that fewer kids are now studying creative subjects is a problem, and we need to rectify it.
I have said that we will make the levy statutory if we need to do so, but we are making progress. I had wanted us to have made substantial progress by the first quarter of this year. The levy has already been applied to half a million tickets and I want to get to much bigger numbers by the end of the year. The Culture, Media and Sport Committee did a really good job in coming up with the idea and we are determined to push it forward. If the hon. Member could be less grumpy, that would help. If he could ring everybody he knows in the industry and persuade them to sign up to the levy, that would be great.
The issue of copyright and creatives is big in the news because of artificial intelligence, but it has also been a long-running issue and it is good that the spotlight is on it. Will the Minister look into a levy on IT equipment, so that people who provide their creative material on that receive some effective royalties, as happens under the book lending scheme? This is an early idea, but if he starts talking about it now in government, we might get some success.
I am happy to look at anything, but we are reluctant to start putting levies on things that close down the British business. My hon. Friend makes a good point about trying to make sure that people have an opportunity to make a career and a living out of the creative industries. It strikes me that with more than 50% of people working freelance in the industry, that is one of the things we definitely have to look at, and I know that my hon. Friend has a large sector in her constituency.
Somerset is home to some iconic film locations such as Glastonbury Tor, which featured in “The Kid Who Would Be King”; Montacute House, which featured in “Wolf Hall” and “Sense and Sensibility”; and Wells, where “Hot Fuzz” was filmed. What steps is the Minister taking to ensure that the film industry in the UK thrives and continues to use our iconic locations?
The hon. Lady is right: one of the things that brings a lot of people to the UK as tourists—we want to reach 50 million international visitors by 2030—is seeing places where things were filmed. I went to Bath recently and saw many different places where there has been filming for “Bridgerton” and lots of different movies. It is an important part of our business and sometimes we need to make sure that local authorities take up such opportunities.
There has been rapid expansion of new homes in my constituency. However, the development of sports facilities in areas such as Ashby-de-la-Zouch are not keeping pace, and in Hugglescote we see a fight to save the rec. How will the Minister ensure that when new homes are created, we protect and develop new sports facilities in parks for local people?
The bands I played in never quite got to a European tour—[Interruption.] Artists tell me how much they and their teams have suffered in the disastrous post-Brexit landscape for touring artists. We have the best bands and artists in the world and they bring huge joy to us here. They want to share the love abroad and in so doing bring a lot of money to the UK economy. Will my hon. Friend assure me that he is acting with haste? As Shakespeare said,
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances.
Let us open more doors for them.
And,
“one man in his time plays many parts”.
Clearly, my hon. Friend is one of those people. We are determined to sort this out. I know that there are many of us who fear that we lost many things when Brexit happened. However, there are other wise words from Shakespeare. As Queen Margaret in “Henry VI” said:
“wise men ne’er sit and wail their loss, but cheerily seek how to redress their harms”.
The amazing dancers at Eastbourne’s Shining Stars Dance Academy have qualified for the dance world cup in Spain this July. It will cost thousands of pounds to get them there, though, so they have launched a crowdfunding campaign. Will the Minister back their campaign to get to the world cup and congratulate them for their achievement?
Yes, and if the hon. Member sends me a link, I will contribute myself.
On a point of order, Mr Speaker. Please accept my apologies because, in my haste to stand up for British horseracing, I forgot to refer Members to my entry in the Register of Members’ Financial Interests detailing an event I attended at Doncaster racecourse in my constituency last year.