Oral Answers to Questions Debate
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Main Page: Ian Murray (Labour - Edinburgh South)Department Debates - View all Ian Murray's debates with the Department for Digital, Culture, Media & Sport
(1 day, 15 hours ago)
Commons Chamber
Jessica Toale (Bournemouth West) (Lab)
We are committed to ensuring the UK remains the world’s leading destination for film and television production. That ambition sits at the core of the Government’s industrial strategy and the creative industries sector plan, which recognises the sector’s strength as a driver of growth. Every single best visual effects Oscar nominee this year had work done in UK studios, including Bournemouth’s own Outpost VFX for its work on “Sinners”.
Jessica Toale
As the Minister says, Outpost VFX is a world-leading VFX company based in my Bournemouth West constituency. It recently convened a meeting of sector leaders, and the message was clear: the UK faces significant competitive disadvantage because of our relatively low net value incentive rates and the 10% total spend rule. As a result, we are missing out on work to overseas facilities, and undermining job creation and skills retention here in the UK. Will the Minister commit to meeting Outpost VFX and other sector representatives to discuss their proposals to boost the UK’s competitiveness?
I am very happy to meet representatives of the VFX industry, including Outpost VFX in my hon. Friend’s constituency. It is worth bearing in mind that there are a whole host of visual effects tax reliefs in place, including a 39% rate on VFX costs, to make it as competitive as possible in this country. I meet regularly and engage with the sector, including the UK Screen Alliance. Protecting our world-leading VFX sector base means ensuring that skills keep pace with artificial intelligence and emerging technologies. We understand and acknowledge the significant implications for the sector of various pressures at the moment, but there is £10 million being invested in the National Film and Television School to expand apprenticeships and £25 million of funding for five new CoSTAR—Convergent Screen Technologies and performance in Realtime—labs, and the Chancellor’s £725 million for the next phase of the growth and skills levy will also deliver new digital skills. That package of measures sits alongside the tax reliefs.
Siân Berry (Brighton Pavilion) (Green)
We recognise that incidents of undue attention and harassment from the media cause significant distress to the public. We will always defend media freedom, but with this freedom comes big responsibilities. Publishers must operate ethically and within the bounds of the law. The Secretary of State has met families who have experienced press intrusion. We are now carefully considering the next steps to determine how to ensure that public trust and accountability in news media is maintained and improved.
Siân Berry
Last month, a national newspaper intruded on the privacy of one of the families bereaved by the meningitis outbreak, publishing information that the family had asked to be kept private. In opposition, Labour promised independent regulation of the press to curb this awful behaviour, so when exactly will the Secretary of State keep that promise?
The Secretary of State has been clear about this. In March she said, at the Society of Editors future of news conference, that the Government will
“will tread carefully and cautiously about regulation…as any right-minded Government should.”
Fearless journalists must be able to hold the Government to account, but there are also concerns that people are turning away from news and losing trust in issues that, as the hon. Member said, are very serious. I am happy to meet her to discuss such issues. The Government are closely following trends in media consumption. In an age of considerable increasing misinformation and disinformation, including press intrusion, we want to get this right.
Cameron Thomas (Tewkesbury) (LD)
Josh Babarinde (Eastbourne) (LD)
The Government are providing up to £30 million through the music growth package. That will further provide support to grassroots venues by fostering domestic growth, talent development and music exports. We are fully committed to supporting the live music industry’s introduction of a voluntary ticket contribution for stadium and arena shows, to help safeguard the future of the grassroots music sector, and this has already contributed half a million pounds to the live music sector.
Josh Babarinde
Eastbourne’s historical bandstand is set to reopen this summer after a refurbishment programme. Mr Speaker, I would like to invite you to come and celebrate with us as our guest of honour at our famous Motown night in July; I know you are a big fan of Motown, so I will give you the invitation later on. We could have even more to celebrate at the bandstand if the Minister were able to review the criteria for the heritage at risk fund, which was announced earlier this year. The fund currently does not seem to cover local authority-run music venues, like Eastbourne bandstand, but we want it to do so, so that we can protect the bandstand for future generations. Will the Minister give an assurance that he will review the criteria?
Oh, Mr Speaker—you did not steal my line, unfortunately. I congratulate Eastbourne on reopening the bandstand. I am disappointed that I did not receive an invitation—I can throw a few shapes as well and I am very happy to come down and dance the night away with Mr Speaker.
The Government very much care about these venues. The hon. Gentleman will know that on Tuesday we announced that 130 cultural venues, museums, libraries and live music venues will receive a share of nearly £130 million. That includes nearly a £1 million for Music Venue Properties, a charity that helps to conserve venues through community ownership, and Eastbourne bandstand could be part of that. The funding is part of our £1.5 billion investment through the arts everywhere scheme to support 1,000 cultural projects with that kind of infrastructure. I am happy to meet the hon. Gentleman and the local authority to discuss what more we can do for Eastbourne bandstand.
I refer the House to my entry in the Register of Members’ Financial Interests. On 19 November, the Secretary of State made the welcome announcement that we would end the abuse of ticket resale. Since then, gig goers at grassroots music venues have been ripped off by tens of millions of pounds. With the new Session coming, will that Bill be in the King’s Speech? Can gig goers look forward to the end of being ripped off by touts?
We are determined to end ticket touting in this country. It has been ripping off fans for too long. We have a very strong policy to deal with that and we will bring the legislation forward as soon as we possibly can.
Shockat Adam (Leicester South) (Ind)
Ben Goldsborough (South Norfolk) (Lab)
As part of our creative industries, video games are identified as a priority sector in the industrial strategy. On Monday, we rolled out the games growth package, with a £30 million investment over three years, expanding the UK games fund and investing in the London games festival. We continue to maintain our stable and generous tax reliefs, recognising their role in supporting growth in the games sector, in industry and in wider creative industries. According to estimates from the body Ukie, the value of the UK video game consumer market in 2025 was £8.8 billion.
Ben Goldsborough
Norfolk is home to a thriving games development community, with Norfolk games developers supporting over 500 members through mentoring, skills and business growth, contributing to a survival rate of small and medium-sized enterprises that is way above the UK average. What steps is the Department taking to ensure that areas such as Norfolk can access and shape the video games growth package? Will the Minister meet with me to discuss this matter further?
It looks as if I am meeting with my hon. Friend about games, rather than going to the Motown dancing in Eastbourne, but never mind. [Laughter.]
Delivering for all the nations and regions remains a priority for this Government. The UK games fund, which is based in Dundee, is a UK-wide programme available to studios and teams across the country, wherever they are. The funding provided to the London games festival includes showcasing support for regional studios, enabling exposure to a greater audience. I am more than happy to speak to my hon. Friend to discuss the opportunities for Norfolk in more detail.
As the Minister knows, the video games industry is huge in Scotland. In fact, it is huge worldwide—it is now bigger than the film and television industries put together. The Scottish industry is worth £188 million, but we have reached a point where we have identified a lack of business acumen among growing companies. We need something like business hubs specifically for video games, with centres of video game excellence, so will the Minister perhaps speak to the Scottish Government about how this can be achieved in order to continue the massive growth we have seen?
My friend the hon. Member, my almost-neighbouring MP in Edinburgh, is absolutely right: Scotland is one of the world leaders in video games, and we have to make sure we are harnessing that. The games growth fund that I announced on Monday at the London games festival will make sure that we are nurturing new talent, helping people to get to the prototype stage, and growing the sector to get those projects to commercialisation. That will be spread across the country, of course, but Dundee is the key part of that. Rockstar in Edinburgh will be launching “Grand Theft Auto VI” later this year, which will be the biggest launch of any audiovisual package in the world. We are looking forward to that, but the hon. Member is absolutely right that we have to nurture that talent and bring the pipeline of talent through.
Kirsteen Sullivan (Bathgate and Linlithgow) (Lab/Co-op)
May I start by paying tribute to all at the Bathgate Band who were responsible for the Bathgate Music Hub, particularly Derek Brown? Co-operative live music venues have benefited from the Government’s £150 million community ownership fund, enabling communities to take ownership of valued local cultural assets, but in England, not Scotland. We have the Pride in Place programme, which is supporting 244 neighbourhoods across the UK, and yesterday we announced that the Creative Foundations Fund—a charity that is helping to conserve music venues through community ownership—has awarded £999,000 to music venue properties in England. I have to say that the Scottish Government, through the Barnett formula, have received money in the spending review settlement. It is not clear how much they are spending in this particular area.
John Milne (Horsham) (LD)