Department for Digital, Culture, Media & Sport

The safety, wellbeing and welfare of everyone taking part in sport is absolutely paramount. National Governing Bodies are responsible for the regulation of their sports and for ensuring that appropriate measures are in place to protect participants from harm.

Mitigating the causes and effects of head injuries in sport is of huge importance to the Government. The Secretary of State for Culture and I have met with affected family members and ex-footballers, including individuals associated with the Football Families for Justice organisation, to discuss player safety and welfare for those suffering from neurodegenerative diseases. We heard first-hand about players’ experiences and the views of the group on how safety and welfare at all levels of the sport could be improved.

The Government remains committed to working with sports stakeholders to build on the positive work that is already taking place, including the UK Concussion Guidelines for Grassroots Sport, to ensure that everyone can take part in sport as safely as possible.

The safety, wellbeing and welfare of everyone taking part in sport is absolutely paramount. National Governing Bodies are responsible for the regulation of their sports and for ensuring that appropriate measures are in place to protect participants from harm.

Mitigating the causes and effects of head injuries in sport is of huge importance to the Government. The Secretary of State for Culture and I have met with affected family members and ex-footballers, including individuals associated with the Football Families for Justice organisation, to discuss player safety and welfare for those suffering from neurodegenerative diseases. We heard first-hand about players’ experiences and the views of the group on how safety and welfare at all levels of the sport could be improved.

The Government remains committed to working with sports stakeholders to build on the positive work that is already taking place, including the UK Concussion Guidelines for Grassroots Sport, to ensure that everyone can take part in sport as safely as possible.

The Secretary of State meets regularly with the Chair to discuss a wide range of issues.

Under the current Charter, Ofcom is required to set the BBC quotas for programme making in the regions and nations. Looking ahead, the Government is currently undertaking a review of the BBC’s Royal Charter. The Green Paper sets out our ambition for the BBC to tell a unifying national story that represents all communities across the UK, and to drive growth in the nations and regions. We are looking at a range of options to deliver this, which include further quotas or obligations relating to programme making, and the BBC moving more commissioning staff out of London.

The Government’s announcement of £8.14m investment in Scotland in 2026/27, via the Multi-Sport Grassroots Facilities Programme, will encourage more people to be active by delivering high-quality grassroots sports facilities.

This funding is designed to benefit areas most in need, based on deprivation and inactivity rates, with 50% of investment being allocated to the 30% most deprived areas in Scotland. Additionally, at least 40% of projects will have a multi-sport offer, allowing more people to participate in a broader range of sports.

The programme also aims to increase participation levels for women and girls in Scotland and across the UK, through ensuring priority use slots for women and girls teams. Projects funded through the programme include new and upgraded changing pavilions, which create more appropriate facilities for women and girls.

The Secretary of State and I recently visited facilities in East Kilbride and The Spartans FC where we saw the impact of this investment.

The Government’s announcement of £8.14m investment in Scotland in 2026/27, via the Multi-Sport Grassroots Facilities Programme, will encourage more people to be active by delivering high-quality grassroots sports facilities.

This funding is designed to benefit areas most in need, based on deprivation and inactivity rates, with 50% of investment being allocated to the 30% most deprived areas in Scotland. Additionally, at least 40% of projects will have a multi-sport offer, allowing more people to participate in a broader range of sports.

The programme also aims to increase participation levels for women and girls in Scotland and across the UK, through ensuring priority use slots for women and girls teams. Projects funded through the programme include new and upgraded changing pavilions, which create more appropriate facilities for women and girls.

The Secretary of State and I recently visited facilities in East Kilbride and The Spartans FC where we saw the impact of this investment.

Further details on the Places of Worship Renewal Fund specific criteria, application process and funding allocation will be announced in due course, along with details on monitoring and evaluation.

Many places of worship also provide essential community services beyond worship and will consider this as we develop criteria, however we also acknowledge that not all religions use places of worship in this way. We are currently designing the specific criteria for the new scheme.

The Listed Places of Worship Scheme was run on a first come first served basis. The new Places of Worship Scheme will instead target funding at areas of the most need, and Places of Worship will go through a proportionate application process. We are currently designing the criteria with experts from the sector, and have not made an estimate of numbers eligible, which will partly depend on the size of grants applied for. The fund will deliver £92 million over 4 years.

The Department conducted an evaluation of the Listed Places of Worship Grant Scheme. The evaluation included an extensive survey of current and past scheme users and is published here: https://www.gov.uk/government/publications/evaluation-of-the-listed-places-of-worship-scheme-final-report. The evaluation did not estimate the net cost of benefit of (a) removing the VAT exemption on places of worship repairs and (b) increasing the Listed Places of Worship Grant scheme. Our evaluation showed that while it had many benefits, 80% of respondents said that they would still have carried out the work without the rebate. As we look towards a new fiscal period and the evolving needs of our community, it is essential that government support is deployed to the areas where it can have the greatest impact and where it is needed most. Over the next four years, the Places of Worship Renewal Fund will invest £92 million capital funding into listed places of worship and is designed to ensure that taxpayer funding is targeted more effectively toward the preservation of our heritage assets.

The Places of Worship Renewal Fund is a capital fund, meaning it will award grants for projects to cover capital works, rather than just the VAT element. Further details on the Places of Worship Renewal Fund specific criteria, application process and funding allocation will be announced in due course.

The Places of Worship Renewal Fund (PWRF) will only be targeted at listed places of worship. PWRF will be open to applications from all faiths and denominations. Further details regarding the eligibility criteria and application process, will be published in due course.

The Places of Worship Renewal Fund will have a budget of £23 million per year, the same level of funding as provided by the Listed Places of Worship Grant Scheme in 2025/26. The Places of Worship Renewal Fund will award grants for projects to cover capital works, rather than just the VAT element of a project, as is presently the case with the Listed Places of Worship Grant Scheme. In some cases the amount granted could be greater than just the VAT element currently funded.

The Department conducted an evaluation of the Listed Places of Worship Grant Scheme. The evaluation included an extensive survey of current and past scheme users and is published here: https://www.gov.uk/government/publications/evaluation-of-the-listed-places-of-worship-scheme-final-report.

Our evaluation showed that while the current Scheme had many benefits, 80% of respondents said that they would still have carried out the work without the rebate. As we look towards a new fiscal period and the evolving needs of our community, it is essential that government support is deployed to the areas where it can have the greatest impact and where it is needed most.

Over the next four years, the Places of Worship Renewal Fund will invest £92 million capital funding into listed places of worship and is designed to ensure that taxpayer funding is targeted more effectively toward the preservation of our heritage assets.The evaluation did not assess the specific impact of starting the Places of Worship Renewal Fund after the Listed Places of Worship scheme ended.

The Memorial Grant scheme rebates VAT on eligible works to memorials and had a budget of £150,000 in this financial year. No formal assessment has been made of the specific impact of closing the scheme. The new £2 million War Memorial Fund will support the conservation and repair of war memorials across the UK. We are currently working with the National Heritage Memorial Fund and the War Memorials Trust to develop scheme criteria and this will include how to proactively engage local communities with at-risk war memorials.

In April 2025, the statutory gambling levy came into effect to fund the research, prevention and treatment of gambling-related harm across Great Britain. In its first year, the levy has raised nearly £120 million, with 30% allocated to gambling harms prevention activity.

The Department for Culture, Media and Sport, responsible for the implementation and oversight of the gambling levy, remains confident that levy commissioners are best placed to make decisions on the future of their work programmes regarding the research, prevention and treatment of gambling-related harms.

As prevention commissioners, the Office for Health Improvement and Disparities (OHID) in England and Scottish and Welsh Governments continue to work collaboratively on the development of their respective work programmes, drawing on expertise from across the system. OHID will employ a ‘test and learn’ approach as they transition to the new levy system, to better-understand what interventions are most effective in preventing gambling harms at a local, regional and national level.

Local authorities are well placed to play a central role in preventing gambling‑related harms across local communities. An OHID-led stocktake of local authority activity in this space indicated that whilst some activity is already underway, there is appetite within local authorities to do more.

OHID is developing a fund for all upper-tier local authorities across England, which will aim to strengthen local capacity to tackle gambling‑related harm by facilitating improved understanding of local need and supporting the development of effective local and regional networks. This will be delivered alongside the Gambling Harms Prevention: Voluntary, Community and Social Enterprise (VCSE) grant fund which launched in January to fund VCSE organisations to deliver prevention activity across England until March 2028. More information on the grant is available at the following link:

https://find-government-grants.service.gov.uk/grants/gambling-harms-prevention-voluntary-community-and-social-enterprise-vcse-grant-fund-1

The Department conducted an evaluation of the Listed Places of Worship Grant Scheme. The evaluation included an extensive survey of current and past scheme users and is published here: https://www.gov.uk/government/publications/evaluation-of-the-listed-places-of-worship-scheme-final-report. 80% of respondents said that they would still have carried out the work without the rebate, Of these, 15% would have carried out works in the same way, 34% would have carried out works but delayed, 15% would have carried out works but been more economical, and 16% would have delayed and been more economical.

The Government monitors the financial situation of rugby union closely and continues to work with the RFU, PWR, and the wider sport sector to support the ongoing sustainability of elite and community level rugby union.

We are working to drive a Decade of Change in women’s sport and we are using the Women’s Sport Taskforce to drive progress across the sector. The Women’s Sport Taskforce was launched at the Women’s Rugby World Cup and seeks to understand and tackle challenges facing women and girls in sport from grassroots to elite.

The Government monitors the financial situation of rugby union closely and continues to work with the RFU, PWR, and the wider sport sector to support the ongoing sustainability of elite and community level rugby union.

We are working to drive a Decade of Change in women’s sport and we are using the Women’s Sport Taskforce to drive progress across the sector. The Women’s Sport Taskforce was launched at the Women’s Rugby World Cup and seeks to understand and tackle challenges facing women and girls in sport from grassroots to elite.

There are no plans at present for the Government to mark the 1,100th anniversary of the unification of England.

Our public service broadcasters are operationally independent of Government and so probationary periods rightfully remain a matter for them.

Employees of public service broadcasters, like most employees in Great Britain, who blow the whistle on certain types of wrongdoing are protected from retaliatory unfair dismissal and detriment under the Employment Rights Act 1996 if legislative conditions are met. This is a day one right, meaning employees do not need to satisfy any qualifying period of service to seek remedies in employment tribunals.

Employees of publicly owned broadcasters will be protected if they blow the whistle to Ofcom, the independent media regulator, if certain conditions in the legislation are met. Ofcom is a ‘prescribed person’ under the Public Interest Disclosure (Prescribed Person Order) 2014. The Government is also exploring the addition of the Creative Industries Independent Standards Authority (CIISA) to this list and the Secretary of State continues to call on the television sector and wider creative industries to support the work of CIISA to improve standards of behaviour across industry.

Our public service broadcasters are operationally independent of Government and so probationary periods rightfully remain a matter for them.

Employees of public service broadcasters, like most employees in Great Britain, who blow the whistle on certain types of wrongdoing are protected from retaliatory unfair dismissal and detriment under the Employment Rights Act 1996 if legislative conditions are met. This is a day one right, meaning employees do not need to satisfy any qualifying period of service to seek remedies in employment tribunals.

Employees of publicly owned broadcasters will be protected if they blow the whistle to Ofcom, the independent media regulator, if certain conditions in the legislation are met. Ofcom is a ‘prescribed person’ under the Public Interest Disclosure (Prescribed Person Order) 2014. The Government is also exploring the addition of the Creative Industries Independent Standards Authority (CIISA) to this list and the Secretary of State continues to call on the television sector and wider creative industries to support the work of CIISA to improve standards of behaviour across industry.

Formula One is a British success story and this government is proud to champion and support the sport. My Department frequently engages with Formula One and wider stakeholders across the motorsport industry to champion the sport and identify shared opportunities including recently at the Motorsport UK Night of Champions and at the iconic British Grand Prix in July.

The Government recognises manufacturing, engineering and other STEM advances generated in our domestic motorsport sector are a vibrant part of regional growth in Motorsport Valley and beyond.

The Government is proud to champion our world-class orchestras and musicians, and help them to thrive. Through Arts Council England’s (ACE) 2023–26 National Portfolio Investment Programme, more money is going to more orchestral organisations in more parts of the country than ever before.The National Portfolio is supporting 139 organisations classed as ‘music’ by investing around £65 million of public funding per annum. ACE investment in classical music remains high, in particular in orchestral music organisations, with 23 such organisations being funded to the tune of around £21 million per annum. We are also supporting orchestras through the tax system, confirming from April 2025 that Orchestra Tax Relief on production costs would be set at the generous rate of 45 per cent.

Over the course of this Parliament, we will also make a £1.5 billion capital investment into fulfilling our Arts Everywhere ambitions. This funding package includes £425 million for the Creative Foundations Fund, revitalising and renewing performing arts buildings across England, including resident venues and key stops on orchestral tours. We will also, for the first time, provide £80 million of capital funding to the National Portfolio Investment Programme over the next four years. This means that Arts Council England will be able to give around 1,000 cultural organisations a 5% uplift in their regular funding; the single biggest uplift to an existing Portfolio in decades.

The Creative Foundation Fund, announced in 2025 as part of the Arts Everywhere Fund, is being delivered by Arts Council England. The Arts Council makes decisions about which organisations and projects to fund independently of government and Ministers, which means there is no question of any political involvement in arts funding decisions. It would, therefore, be inappropriate for Ministers to ask Arts Council England to revisit their decision on the application made by Wellington Orbit. Demand for this fund in its first round was extremely high, with a large number of applicants demonstrating the ability to meet the programme aims. As a result, the Arts Council had to make very difficult decisions about which applicants to invite to the full application stage. This was to ensure that applicants did not spend time and resources completing an application with very limited chance of success in that round.

The Secretary of State for Culture, Media and Sport has recently announced a new round of the Arts Everywhere Fund, including up to £340 million of new funding for the Creative Foundations Fund, which will be invested from 2026/27 up to and including 2029/30. Wellington Orbit may wish to submit an application. Arts Council England will announce further details regarding the application process and eligibility criteria in due course.

The Government recognises the significant contribution zoos and aquariums make to the visitor economy, supporting local growth and global conservation. DCMS monitors the sector's performance closely through VisitBritain/VisitEngland.

The Visitor Attraction Trends in England 2024 report demonstrates the sector's resilience, with England’s attractions reporting a 1.4% increase in visits and an 8% increase in gross revenue from 2023-2024. Major zoos remain among England's most popular paid attractions; Chester Zoo and ZSL London Zoo currently rank third and ninth respectively.

To support the sector, the Government has introduced targeted measures including permanently lower business rates for eligible retail, hospitality, and leisure properties, worth nearly £900 million annually.

DCMS continues to work with VisitBritain to champion visits to the British countryside and our world-class attractions to a worldwide audience. Local Visitor Economy Partnerships also have an important role to play in supporting the development of local tourism products and packages that encourage more visitors to come and stay for longer and benefit local communities.

The forthcoming Visitor Economy Growth Strategy will also provide a long-term framework to increase visitor flows and deliver sustainable growth across the UK.

The Government recognises the significant contribution zoos and aquariums make to the visitor economy, supporting local growth and global conservation. DCMS monitors the sector's performance closely through VisitBritain/VisitEngland.

The Visitor Attraction Trends in England 2024 report demonstrates the sector's resilience, with England’s attractions reporting a 1.4% increase in visits and an 8% increase in gross revenue from 2023-2024. Major zoos remain among England's most popular paid attractions; Chester Zoo and ZSL London Zoo currently rank third and ninth respectively.

To support the sector, the Government has introduced targeted measures including permanently lower business rates for eligible retail, hospitality, and leisure properties, worth nearly £900 million annually.

DCMS continues to work with VisitBritain to champion visits to the British countryside and our world-class attractions to a worldwide audience. Local Visitor Economy Partnerships also have an important role to play in supporting the development of local tourism products and packages that encourage more visitors to come and stay for longer and benefit local communities.

The forthcoming Visitor Economy Growth Strategy will also provide a long-term framework to increase visitor flows and deliver sustainable growth across the UK.

The Government has not considered establishing a dedicated regulator for the video games industry. Video games are already regulated by a number of legislative and voluntary measures, governed by several enforcement bodies.

Video games are regulated with age ratings, which protect children and vulnerable people from inappropriate content. The Government works closely with the Games Rating Authority (GRA) who are designated by Government to ensure games are appropriately rated and include information for buyers on potentially harmful content, for example violence or bad language.

The Online Safety Act, made law on 26 October 2023, applies to online services which allow users to share content and interact with one another. This definition includes some video games, for example those with in-game chat functions. The Act is enforced by Ofcom.

The Advertising Standards Authority (ASA) and the Committee of Advertising Practice (CAP) are responsible for setting and enforcing the UK Advertising Codes; which includes online and in-game advertisements, such as advertising of microtransactions or loot boxes.

Finally, where video game products amount to unlicensed gambling, such as skins gambling, the Gambling Commission has shown it will take strong enforcement action.

DCMS recognises the significant value that the holiday parks industry provides in supporting our rural and coastal economies. The Government is committed to ensuring their long-term viability by modernising the business rates system and providing targeted marketing to overseas visitors.

From April 2026, we are replacing temporary reliefs with permanently lower business rate multipliers for eligible retail, hospitality, and leisure (RHL) properties. This structural shift provides long-term certainty and is worth nearly £900 million annually. To protect businesses from sudden valuation shocks, we have introduced a £3.2 billion Transitional Relief scheme, which caps bill increases at 15% for most businesses

The Government has set out a package of pro-growth regulatory changes for the retail and hospitality sectors, including the first National Licensing Policy Framework, which supports the flexible growth of hospitality services within holiday parks.

DCMS and VisitBritain are actively working to boost visitor numbers and extend the tourism season for coastal and rural operators. The ‘Starring GREAT Britain’ campaign uses the UK’s film and television heritage to drive international visitors into rural destinations, increasing the profile of areas where many premier holiday parks are located.

The forthcoming Visitor Economy Growth Strategy will cement these measures, providing a long-term plan to increase visitor flows, maximise sector value, and deliver sustainable growth for our coastal and rural communities.

The Government recognises the importance of using impartial, accurate and up-to-date research on gambling behaviour and harms, including relevant evidence from jurisdictions similar to Great Britain. We are committed to ensuring that policy decisions are guided by the best available evidence from a broad range of reliable sources.

We note the findings of the report titled ‘Childhood gambling experiences and adult problem gambling’.

There are already a wide variety of measures in place to protect children and young people from being exposed to gambling advertising, marketing and products.

For example, gambling advertising must not be targeted at children, through ensuring that it does not appear in media created for children or for which children make up 25% or more of the audience. In May last year, we introduced a £2 maximum stake limit on online slots for 18-24 year olds, who can be particularly vulnerable to harms associated with high stakes play. We also welcome the commencement of the Premier League’s ban on front-of-shirt sponsorship by gambling firms by the end of the 2025/26 season.

However, we recognise that children and young people’s exposure to gambling is an important issue. We remain committed to strengthening measures to protect those at risk of gambling harm and will continue to work with industry and gambling harm campaigners. We will also redouble our efforts to work across government and with tech platforms to address illegal gambling advertising, which poses the most risk for children and young people.

DCMS officials are in touch with the Science Museum Group and the Victoria and Albert Museum to discuss the ongoing steps they are taking to resume online sales to Northern Ireland.

Tourism contributes to growth and jobs across all parts of the country particularly in rural areas such as Shropshire, home to the UNESCO-listed Ironbridge Gorge, the medieval Ludlow Castle and the scenic Shropshire Hills AONB.

The Government is committed to supporting the sector through the forthcoming Visitor Economy Growth Strategy, which will set out a long term plan to increase visitor flows across the UK, boost value, and deliver sustainable growth. Central to this strategy is ensuring greater dispersal, so that the economic benefits of tourism are felt by all regions, including rural and coastal communities.

It is essential that the public has access to a wide range of views from a variety of accurate and trusted sources to support democratic participation. DCMS is committed to supporting the future sustainability of the media sector and is working across Government to help ensure a coordinated and coherent approach to upholding democracy.

Digital inclusion and ensuring that all households across the country have access to high-quality, reliable broadband is a priority for the Government. The Department for Culture, Media and Sport is working closely with the Department for Science, Innovation and Technology to ensure that all aspects of digital inclusion are considered as part of any decisions we make on the future of digital terrestrial television.

The Secretary of State meets regularly with the Chair of the BBC to discuss a wide range of issues.

For any public service broadcaster, accountability and trust are key. It is important that the BBC continues to demonstrate how it is working diligently to maintain the highest standards. The BBC is editorially and operationally independent of Government, and this is a crucial component of why people trust it.

The Charter Review is a key opportunity to set the BBC up for success long into the future. The Charter Review Green Paper published in December sets out the Government's ambition to ensure the BBC remains a trusted, independent source of news and consults on options to ensure it maintains the highest editorial standards.

We recognise the concerns raised by some organisations about funding uncertainty and the impact this can have on their financial resilience and day-to-day operations. We are taking steps to ensure that valuable knowledge, skills and expertise are retained across the gambling harms prevention system during the transition to the statutory levy.

Working with commissioners, we have engaged closely with GambleAware, which is continuing to provide funding to relevant voluntary, community and social enterprise (VCSE) organisations until April 2026. This includes transitional funding to help stabilise prevention-focused organisations that sit outside GambleAware’s routine commissioning activity.

The Office for Health Improvement and Disparities (OHID) has now launched the application process for its Gambling Harms Prevention: Voluntary, Community and Social Enterprise grant fund. This follows extensive market engagement to provide timely updates, manage provider expectations around future funding processes and timescales, and support greater stability across the system. The application window will close on 6 February 2026, with funding released from April 2026. Devolved governments are responsible for delivery of the prevention programmes in Scotland and Wales and work is progressing to support organisations there.

The Department conducted an evaluation of the Listed Places of Worship Grant Scheme. The evaluation included an extensive survey of current and past scheme users and is published here: https://www.gov.uk/government/publications/evaluation-of-the-listed-places-of-worship-scheme-final-report. The evaluation did not assess the impact of ending the Listed Places of Worship Grant Scheme on the financial sustainability of places of worship. Our evaluation showed that while it had many benefits, 80% of respondents said that they would still have carried out the work without the rebate. As we look towards a new fiscal period and the evolving needs of our community, it is essential that government support is deployed to the areas where it can have the greatest impact and where it is needed most. Over the next four years, the Places of Worship Renewal Fund will invest £92 million capital funding into listed places of worship and is designed to ensure that taxpayer funding is targeted more effectively toward the preservation of our heritage assets.

The Department conducted an evaluation of the Listed Places of Worship Grant Scheme. The evaluation included an extensive survey of current and past scheme users and is published here: https://www.gov.uk/government/publications/evaluation-of-the-listed-places-of-worship-scheme-final-report. Our evaluation showed that while it had many benefits, 80% of respondents said that they would still have carried out the work without the rebate.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.

Over the course of this parliament £1.5 billion will be invested across arts, cultural and heritage providing support to arts venues, museums, libraries and heritage buildings across England. It aims to keep venues open, finance urgent repairs and infrastructure projects, bolster long-term resilience, and widen access to arts and culture in communities that have faced under-investment. The funding is made up of:

• £600 million infrastructure funding, which will support national museums and DCMS sponsored cultural organisations, and £160 million to our local and regional museums.

• £425 million Creative Foundations Fund which will support approximately 300 capital projects in arts venues across the country.

• £230 million for heritage, which includes:

• £75 million for at risk heritage which provides grants towards repairs and conservation of historic buildings;

• £46 million for the Heritage Revival Fund; and

• a new £92 million fund called the Places of Worship Renewal Fund

• £27.5 million for the Libraries Improvement Fund.

• £80 million capital funding over four years to benefit National Portfolio organisations that receive regular investment from Arts Council England, part of a 5% uplift next year for these organisations. This is the biggest uplift for an existing National Portfolio in decades and will directly support NPOs in your constituency, such as the Mercury Theatre and the Colchester Arts Centre.

The £600 million for DCMS sponsored cultural bodies is allocated through the Public Bodies Infrastructure Fund (PBIF) which is delivered directly by DCMS and allocated to eligible organisations.

The grant recipients for the £425 million Creative Foundations Fund, the £160 million investment for local and regional museums, and £27.5m Libraries Improvement Fund will be determined through competitive application processes, which will be administered by Arts Council England (ACE). The £230 million investment in heritage will be administered by Historic England and the Architectural Heritage Fund.

We are clear that this investment package will particularly support organisations in underserved areas. ACE currently prioritises funding to underserved places via their priority places strategy. Historic England has been using a place-based approach, with the current Heritage At Risk Capital Fund having a clear emphasis on delivering funding to the places that need it most. They will continue this approach with the new Places of Worship Renewal Fund.

The detailed criteria for individual funds will be announced in due course and we encourage arts and cultural organisations in the South Basildon and East Thurrock constituency and Essex to apply for the competitive funds.

ACE and DCMS regularly assess the adequacy of national cultural infrastructure within England and identify places with higher need for cultural investment. As part of their Delivery Plan for 2021-24, ACE identified 54 places across England in which investment and engagement is too low, and opportunity for ACE to effectively increase investment and engagement is high. As part of this exercise Tendring and Basildon were prioritised for additional support and funding.

DCMS will monitor the impact of Arts Everywhere Funding via a series of independent evaluations of each funding programme. The department will procure these evaluations over the next year to assess the funding's impact on cultural organisations in England. Since the impacts of these capital programmes will only be measurable after this parliament ends, the department will work with contractors to develop interim monitoring measures for project completion.

Support for arts and culture in England depends upon a successful mixed funding model, in which external funding from individuals and business, trusts and foundations, plays a crucial role alongside earned income and public investment. This significant investment will help cultural organisations, up and down the country, fix long term issues and renovate their spaces allowing them to continue their creative programming attracting increased ticket sales and donations. It will help alleviate financial difficulties, supporting organisations to reach their communities, including children and young people from disadvantaged backgrounds.

This funding will also support community-led initiatives by maintaining and improving buildings, ensuring affordable spaces and improved facilities while enabling community arts groups to create, collaborate, and engage local audiences more widely. In addition, following the recent ACE Review, we are committed to ensuring that a repurposed Arts Council will be shaped around communities and local areas. DCMS is now working through these recommendations in detail with relevant departments, as well as ACE.